Further scholarship involving flute performers and studies primarily in English reveals that Bach's music was subject to a great variety of influences and stylistic expression, especially the later galant style. Established German scholars in particular dismissed certain flute works as lacking Bach's recognized style, thus their authenticity was doubted. These flute works focused on the sonata form instead of the dance-style partitas found in the chamber music for keyboard, cello, violin and lute. Like many of the organ works, these flute pieces were found in various later copies instead of Bach autographs. Since the mid-20th century when new Bach scholarship began, his transverse flute music has been at the center of controversy regarding its genesis, dating, chronology, and authenticity involving six sonatas, an unaccompanied suite, and related trio sonatas. William Hoffman wrote (November 23, 2019): Sonatas for Flute & Harpsichord / Basso Continuo BWV 1030-1035 Partita for solo flute BWV 1013 Recordings, Reviews & Discussions - Main Page
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